
The hexameter continued to be used in Christian times, for example in the Carmen paschale of the 5th-century Irish poet Sedulius and Bernard of Cluny's 12th-century satire De contemptu mundi among many others.
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In Latin famous works include Lucretius's philosophical De rerum natura, Virgil's Eclogues and Georgics, book 10 of Columella's manual on agriculture, as well as Latin satirical poems by the poets Lucilius, Horace, Persius, and Juvenal. Greek works in hexameters include Hesiod's Works and Days and Theogony, Theocritus's Idylls, and Callimachus's hymns. However, hexameters had a wide use outside of epic. Some well known examples of its use are Homer's Iliad and Odyssey, Apollonius of Rhodes's Argonautica, Virgil's Aeneid, Ovid's Metamorphoses, Lucan's Pharsalia (an epic on Caesar's Civil War), Valerius Flaccus's Argonautica, and Statius's Thebaid. The hexameter is traditionally associated with classical epic poetry in both Greek and Latin and was consequently considered to be the grand style of Western classical poetry. The fifth foot can also sometimes be a spondee, but this is rare, as it most often is a dactyl. The first four feet can either be dactyls, spondees, or a mix. Thus there are six feet, each of which is either a dactyl (– u u) or a spondee (– –). Here, "|" (pipe symbol) marks the beginning of a foot in the line.

| – u u | – u u | – u u | – u u | – u u | – – The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts): Further information: Prosody (Latin) and Prosody (Greek)ĭactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry.
